Though they're definitely less willing to overlook Marcus's infatuation with the local young women.
Even so, given that this pair is the first set of hunting tourists in a while - a hunting club has recently opened not too far away, and it's taken a huge toll on the town's economy - so the locals are mostly willing to overlook the strangers' city ways. The locals view them as obvious threats, with only the apparent exception of garrulous old Logan (Tony Curran), and even he has the kind of conspicuous friendliness where you can't quite tell if a smile is warm, or if it's meant to show off the bearer's fangs. Particularly in its exposition, it has a bad habit of taking things too slow and putting its themes front-and-center, with one very important exception that we'll get to.īack to Vaughn and Marcus, who've just arrived in one of those tiny movie villages that just reek of ominous threats. Palmer has a lot of intuitive talent, it is clear, but he's also making his first feature, and for all its strengths, which can be considerable, this is a very nervous film.
I know this last fact because Vaughn states it outright in dialogue to one of the locals at the bar which appears to be the only viable commercial business in the town we're staying, and this brings us to maybe the most persistent problem with Calibre. A hunting trip being something that Marcus is going to enjoy a lot more than Vaughn, no matter whose weekend this is supposed to be. And this weekend, that friend, Marcus (Martin McCann) - finance expert by day, cokehead partyboy by night - has decided to celebrate/mourn the impending end of Vaughn's irresponsible childless years by arranging a hunting trip to the Highlands. Vaughn (Jack Lowden) lives a quiet life in Edinburgh, happy to sit at home with his pregnant fiancée, but he's got one of those friends that so many approaching-middle-age guys in movies do: the wild one who never quite grew up, the one Vaugn has definitely have outgrown & knows it, but habit and respect for the old days means that he can't bring himself to ever stand his ground and say no. The film, the feature debut of writer-director Matt Palmer, is a very '70s-esque of the terrible things that happens when urbanites head into the countryside to do Manly Things. I mean, for God's sake you guys, it's a Netflix genre film that tells an interesting story with well-defined characters! It's nice to look at! Holy shit, roll out the Oscars!īut no, for real, Calibre is good & worth your time.
It speaks to how quickly the words "Netflix original" have come to mean "like a direct-to-video film from the '90s, only somehow even sadder" that a pretty straightforward thriller like Calibre seems like a small masterpiece.
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